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One of Royal Doulton's art directors, Walter Hayward, took over the range after the Second World War.
Initially he adapted the remaining Barbara Vernon drawings for production but he soon began to create his own scenes although her facsimile signature continued to appear on on the ware until the mid 1950's.
Collectors also like to find scenes incorporating Barbara Vernon's facsimile signature, although sometimes this was cut off the transfer.
Barbara was the daughter of the manager of the Royal Doulton Stoke-on-Trent pottery and she first imagined the exploits of the Bunnykins family to entertain the children in the class at the convent sch00l where she taught.
Based, moulded or incised means on experts and terracotta experts, c.Many items for sale on the internet claim to have been made in 1936, based on the backstamp on the item, which reads Copyright 1936. 1936 is when the Bunnykins trademark was copyrighted by Royal Doulton, but there are very few items for sale in the market that date that far back.Many surviving pieces show a great deal of wear from the enthusiastic eaters scooping up their porridge to enjoy the scene underneath.Here's an example of a money ball, for saving your pennies for a rainy day.I've been careful in my store listings to use the titles of the scenes and also the design numbers, as Royal Doulton issued them.
This Double D’s symbol designed by Robert and Mary Hoogstraat, was the winning entry in the 2008 Royal Doulton Cypher competition held by the Royal Doulton International Collectors Club (RDICC) during the last quarter of 2007.