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A strong thread that runs through the album is a celebration of spirituality.
While never overtly religious, Harris has touched on spiritual themes before; Lanois’ work — especially with U2 and Dylan — has featured similar conceits.
“And he’d also produced Bob Dylan’s Oh Mercy, which I also really liked.” “And my record company said we’ve tried to get you on the radio and we can’t, so you tell us what you want to do,” she continued with a glance and a smile at Lanois by her side on stage.
“And I said, ‘I want to make a record with Daniel Lanois.” Wrecking Ball, their 1995 collaboration, remodeled Harris’ artistry by placing her distinctive voice in atmospheric settings under the guidance of Lanois, whose production credits include several U2 titles (starting with The Unforgettable Fire), Dylan’s Grammy-winning Time Out of Mind and Peter Gabriel’s Us.
The last track, “Waltz Across Texas Tonight,” had never been played live during the tour that followed the album’s initial release, Harris noted.
“But we thought that since we advertised the whole record, we should work it up.” After that album set, Harris and Lanois played a pair of songs off Acadie – “The Maker” and “Still Water,” the latter of which is included in the reissue’s session outtakes – and then a handful of songs she’s done for years, such as her own “Boulder to Birmingham” and, with Lanois and Wilson on harmony vocals, an a cappella version of the traditional folk tune “Calling My Children Home.” Around the time Harris stopped to explain how she and Lanois had come together on this project, she also remarked how grateful she was “for all the all people who found and loved this record.” Judging by the adoring response that music received here, the love and gratitude flow both ways, from artist to audience and back again.
Three strong stories feature on is a rootsy, rough-hewn story of blue-collar love.
While it’s not deeply original in concept, Harris’ tender but earthy delivery brings it home.
In Harris’ capable hands, Lanois’ seeks hope against a backdrop of isolation.She startled everyone by teaming with rising star producer Daniel Lanois for her 21st effort, .He produced remarkable, eclectic albums for Peter Gabriel, the Neville Brothers, Bob Dylan, and Robbie Robertson.Today’s song is a charming tribute to the unifying power of music.After the success of their first album, Swedish duo First Aid Kit returned to the studio with new confidence and vision. The song is a first-person narrative, with the singer pondering dark weather and romantic tension.
You might know Steve Earle’s original take on “Goodbye,” Neil Young’s “Wrecking Ball,” Jimi Hendrix’s “May This Be Love,” but the beauty of Harris’ voice and Lanois’s arrangements made each its own true thing.