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Winslow Homer and His Contemporaries: American Prints from the Metropolitan Museum of Art. This exhibition covers the course of Winslow Homer’s printmaking career, featuring approximately 70 of Homer’s prints and interpretive panels. Degas’ early academic drawings, his engaging portraits, his celebrated images of the ballet, horseracing and the nude in both oil and pastel, and his more private, experimental investigations of the human figure in prints and sculpture are all well represented in this exhibition. All works in the show were acquired by leading American collectors and museums at the end of the 19th and early part of the 20th century, and they emphasize that early taste for Degas in America embraced his work in all media and from all periods of his career. edu/dept/palmermuseum An Artistic Friendship: Beauford Delaney and Lawrence Calcagno. This exhibition examines the close artistic and personal friendship between two important American artists of the twentieth century. In an adjacent space, 20 contemporary paintings, drawings and sculptures from artists including Carl Andre, Agnes Martin and Ellsworth Kelly will demonstrate a common approach in conceiving objects as distilled, perfected ideas. Delaney (1901- 1979), a black American from Knoxville, Tennessee, spent most of his mature life as an expatriate artist in Paris. Alfonso Ossorio’s Responses to Jackson Pollock’s Death. On the evening of Auguest 11, 1956, Jackson Pollock planned to attend a concert at the home of his friend Alfonso Ossorio (1916-1990). Driving back to his house, he lost control of his car and crashed, killing himself and a passenger. [email protected] Portraits through Buttons and Bows. This exhibition will explore American portraits through their fashions, from the eighteenth through the twentieth century. At first glance, Beauford Delaney and Lawrence Calcagno might seem an unlikely pair. The clothing that people wear during the painting or photographic shooting of a portrait can give a range of information about the status and taste of the moment. Sloan's portraits comprise a formidable area of his oeuvre but are often overshadowed by his widely recognized paintings of urban life in New York City. The photographer’s ability to transform ordinary objects through framing, light and focus is evident in Josef Sudek’s delicate study of an apple, Edward Weston’s sensual study of two coupled nautilus shells and Frederick Sommer’s disturbingly surreal still-life juxtaposing a flower and a dried frog carcass. He went on to create hundreds of stone sculptures including animals, a mermaid, birdbaths, and portraits of angels, Little Orphan Angels, Eleanor Roosevelt and Christ. Still’s explorations on canvas, like those of Jackson Pollock, Mark Rothko, Barnett Newman and others in his generation—the Abstract Expressionist generation—were viewed as completely independent of previous traditions in Western painting. The exhibition, the first to focus exclusively on the distinctive paintings of Contentment Island, will include paintings which had been lost to the public in the recent century.

[email protected] Lawrence: The Federick Douglass and Harriet Tubman Series of 1938-40. An African American artist who grew up in Harlem during the Depression, Lawrence began his career around 1935 in the lingering, vibrant atmosphere of the Harlem Renaissance. Offering 78 wide-ranging examples from the incomparable National Portrait Gallery’s collection, this exhibition showcases the American portrait tradition from the country’s beginnings to the present. Artists include Edward Hopper, Will Barnet, Charles Demuth, Maurice Prendergast, Reginald Marsh, Everett Shinn, Richard Pousette-Dart, Adolf Dehn, Charles Burchfield, and others. The exhibition will present Cos Cob as a testing ground for new artistic styles and themes. Many of these folk artists remain anonymous, yet their creations continue to speak eloquently about these men and women who, under the conditions of extreme material deprivation, were able to make unique spiritual and artistic statements. Both men experienced the power of melancholia, and both understood well the social isolation accompanying their homosexuality. As a survey of eighteenth to twentieth century American production, the Smith effort supplements the holdings of the Academy and highlights both its regional and national character. Not long after her arrival, she divorced Breton and married the sculptor David Hare, a young American follower of the Surrealists. Highlights include a major sculpture in golden mahogany by Chaim Gross (Jazz); views of Harlem and its lively performers by Miguel Covarrubias and William H. The show features the century’s most gifted practitioners of the medium. Alden Weir, among others, who gathered in the then modest Cos Cob section of Greenwich, Connecticut from 1890 to 1920. Most of the Santos del Palo in this exhibit were created by traditional carvers- Santeros- of rural, pre-industrial Puerto Rico. Both men shared an interest in the philosophical underpinnings of their abstract work. org American Spectrum: Paintings and Sculpture from the Smith College Museum of Art. This exhibition features 75 paintings and sculptures by various artists including John Singleton Copley, Daniel Chester French, James Mc Neill Whistler, Charles Sheeler, and Willem de Kooning. These pieces, with related paintings and documentary material, will be displayed in the context of Ossorio’s relationship to Pollock. August 2- October 20, 2001 With her husband, Surrealist leader Andre Breton, Jacqueline Lamba (1910-1993) came to the United States in 1941 to escape Nazi persecution. America Entertained: Jazz to Jitterbug, Harlem to Hollywood. Drawn primarily from a group of artworks on long-term loan to the Museum from the writer and jazz enthusiast Jake Wien, this exhibition celebrates the dynamism of America during the early 20th century through World War II, and beyond. Alden Weir, James Whistler, Mary Cassatt, Thomas Moran, William M. Also included in this exhibition are selections from his contemporaries, including J.

The show functions as a survey of eighteenth to twentieth century American artistic production. A number of the original oil paintings, watercolors, and other renderings featured in the exhibition have never before been displayed.

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